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| Blood & Chocolate | |
|---|---|
| Directed by | Katja von Garnier |
| Produced by |
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| Screenplay by | |
| Based on | Blood and Chocolate by Annette Curtis Klause |
| Starring | |
| Music by | |
| Cinematography | Brendan Galvin |
| Edited by | |
| Distributed by |
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| |
| 98 minutes[1] | |
| Country |
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| Language | |
| Budget | $15 million |
| Box office | $6.3 million[2] |
Blood & Chocolate is a 2007 fantasy-horror film directed by Katja von Garnier. It was written by Ehren Kruger and Christopher B. Landon and is loosely based on Annette Curtis Klause's 1997 young adultnovel of the same name.
Do you want to remove all your recent searches? All recent searches will be deleted. Blood and Chocolate(19) Author: Annette Curtis Klaus 'Okay, okay.' Willem got to his feet. He hesitated. 'But you stand up for yourself, too, okay?' 'Yeah, sure.' Vivian walked down Lincoln Avenue toward the park. She was going to stop moping and stand up for herself, like Willem had said. There was a free concert this evening: six local bands.
An international co-production between the United States, Germany, Romania, and the United Kingdom, Blood & Chocolate was both a commercial[3] and critical failure.[4]
- 3Production
- 5Release
Plot[edit]
Vivian (Agnes Bruckner) is a 19-year-old werewolf born in Bucharest, Romania to Romanian parents, who later emigrated to America. When Vivian was nine years old, her parents and two siblings are murdered by two hunters who then burn down their family house.
Orphaned, Vivian moves back to Bucharest to live with her aunt, Astrid (Katja Riemann). Astrid is the former mate of the werewolf pack's leader, Gabriel (Olivier Martinez). To Astrid's distress, Gabriel leaves her after seven years to choose a new mate, in accordance with pack law. A few months later, Gabriel reveals that he wants the reluctant Vivian as his mate.
Vivian, however, begins a romance with graphic novelist Aiden (Hugh Dancy), who is researching for his latest book. Although he is human, Aiden knows much about Vivian's kind, the Loups-Garoux (werewolves).
Their romance is closely monitored by Vivian's cousin Rafe (Bryan Dick) and his friends Ulf (Chris Geere), Gregor (Tom Harper), Finn (John Kerr), and Willem (Jack Wilson), together known as 'The Five.' Rafe sees a drawing that Aiden has made of Vivian, in which she is referred to as 'The Wolf Girl.' Believing that she is telling Aiden all of their pack's secrets and that she may become a danger to the pack, Rafe tells Gabriel about Aiden. Gabriel then tells Rafe that Aiden must leave or he will be dealt with by the pack.
Farming simulator 2017 download mac. Rafe lures Aiden to an abandoned church with the ruse that Vivian wants to reconnect and attempts to scare him away. When this doesn't work, Rafe attacks Aiden, but Aiden defends himself and forces Rafe to back onto a table where he cuts himself. Aiden, who did not previously know Vivian and her friends were werewolves, sees the golden glow of the Loup-Garou and realizes that Vivian is one of them. The two fight, with Aiden attacking Rafe with a silver pendant. Rafe then turns into a wolf. Aiden eventually gains the upper hand, killing Rafe.
Afterwards, Aiden confronts Vivian about her true identity and tempts her with his blood. She does not give in but is hurt that Aiden would think that she is the monster.
Not long after, Aiden is captured by the pack to answer for the murder of Rafe, who is revealed to be Gabriel's son. Aiden is made to run through the forest while being chased by the pack. If the pack catches him, he dies. If he makes it to the river and crosses it, he lives. Vivian becomes scared for him and changes into her wolf form, a white wolf, to save him from the pack.
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Aiden makes it to the river by confusing the pack, using his blood to spread his scent and making it harder for them to track him. Gabriel, angry that Aiden has escaped, attempts to follow him to kill him anyway. Vivian helps to protect Aiden by throwing Gabriel off his scent. Not recognizing Vivian in wolf form, Aiden strikes her with a silver knife. Vivian starts to bleed, quickly requiring an antidote to silver poisoning or else she will die.
After hiding from the pack, Aiden and Vivian find a pharmacist who has the antidote for silver poisoning and steals it from him, but not before the pharmacist calls the rest of the pack. After being chased, Vivian tells Aiden to save himself and then is captured by the pack herself. She is held in a cage and taunted by the rest of The Five while Gabriel attempts to manipulate her to his way of thinking. Aiden comes to Vivian's rescue and, in the end, Vivian kills Gabriel.
Aiden and Vivian drive away, passing other Loups-Garoux, who bare their necks in respect, hinting that Vivian might be the new leader of the pack.
Cast[edit]
- Agnes Bruckner as Vivian Gandillon
- Hugh Dancy as Aiden
- Olivier Martinez as Gabriel
- Katja Riemann as Astrid
- Bryan Dick as Rafe
- Chris Geere as Ulf
- Tom Harper as Gregor
- John Kerr as Finn
- Jack Wilson as Willem
- Vitalie Ursu as Constani
- Bogdan Voda as Albu
- Kata Dobó as Beatrice
- Maria Dinulescu as Girl in Red
- Mihai Gruia Sandu as Pharmacist
Production[edit]
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Beginning in 1997, a series of five directors entered into talks to direct Blood & Chocolate before Katja von Garnier finally decided to work on the film in January 2005. Larry Williams and his wife, Leslie Libman, Po-Chih Leong, Sanji Senaka, and Rupert Wainwright were all considered. Throughout these talks, Blood and Chocolate author, Annette Curtis Klause, was not kept up-to-date by the film's producers. Rather, she obtained information about film's progression from online sources.[5]
The book was originally adapted into a script by Christopher Landon, whose father, Michael Landon, had a leading role in the film I Was a Teenage Werewolf (1957).[6]
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Principal photography was set in the historic section of Bucharest and at MediaPro Studios in Buftea. However, the film failed to accurately represent the city of Bucharest. For example, the film's Piata Romana (Romana Square) is actually the Curtea Veche yard (Old Court), and the film's Biserica Silvestru (Silvestru Church, located in downtown Bucharest) is actually a church in Stirbey Palace, Buftea, which is located tens of kilometers west of Bucharest.
Music[edit]
The film's score was composed by Reinhold Heil and Johnny Klimek. The soundtrack consists of 15 songs, none of which are featured in the film.
- Songs featured in the film
- 'Garab' - Rachid Taha
- 'Let Yourself Go Wild' - Jasmin Tabatabai
- 'Velvet Hills' - Katja Riemann
- 'You Know the Truth' - Aurah
- 'Cash Machine' - Hard-Fi
- 'Amor Fati' - Aurah
- 'Silence Summons You' - The Sofa Club
- 'Eu Te Iubesc Prea Mult' - Nicolae Guta
- 'Stand My Ground' - Within Temptation
Variation from novel[edit]
The film has significant differences from the plot and characters presented in Annette Curtis Klause's 1997young adultnovel of the same name.
The title of the film is derived from the conclusion of the novel:
He was raw and sharp and rich and throbbing with life. He was sweet blood after a long hunt. How could she have mistaken Aiden's kisses for this? They had been delicious and smooth like the brief comfort of chocolate, but they had never been enough.[7]
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In the film, Vivian and Aiden are portrayed older than their characters in the novel, and meet under different circumstances. In the novel, they both attend the same high school, and Vivian seeks Aiden out after reading a poem he wrote about werewolves.
In the film, Gabriel is portrayed as an aggressive antagonist, ruling by force and fear. In the novel, he is a new addition to the pack, and wins his mantle of leadership in the Ordeal according to the Old Way.
Additionally, the relationship between Gabriel and Vivian in the novel is vastly different from how it is depicted in the film, and the nature of the Loups-Garoux is more bloodthirsty and vengeful towards humans in the film.
Several other details are distinctly different in the film adaptation. Vivian's background story is changed, as well as the fate of her family.
Release[edit]
Box office[edit]
Blood & Chocolate opened on January 26, 2007 in 1,200 theaters. The film earned $2,074,300 during its opening weekend, ranking sixteenth at the domestic box office.[8] By the end of its run, a little over two months later, the film had grossed $3,526,847 domestically and $2,784,270 overseas for a worldwide total of $6,311,117.[2]
Critical reception[edit]
Blood & Chocolate was panned by critics. On review-aggregator website Rotten Tomatoes, the film has an 11% rating based on 63 reviews.[9] On Metacritic, it has a 33 out of 100 rating from 16 critics, indicating 'generally unfavorable reviews.'[10]
The New York Times critic Jeannette Catsoulis gave a negative review, saying the film is 'uninvolving and cliché-ridden (even shape-shifters, it seems, deserve a falling-in-love montage), Blood & Chocolate is Romeo and Juliet with fewer manners and more exotic dentition. Cribbing shamelessly from Joel Schumacher's 1987 vampire classic, The Lost Boys, the director, Katja von Garnier, perches her pack on roofs and in rafters — an aerial lifestyle that works for bats but seems a bit of a stretch for wolves.'the original.[11]
Footnotes[edit]
Blood And Chocolate Review
- ^'BLOOD AND CHOCOLATE (12A)'. British Board of Film Classification. January 30, 2007. Retrieved April 8, 2015.
- ^ ab'Blood and Chocolate (2007)'. Box Office Mojo. Internet Movie Database. March 30, 2007. Retrieved April 8, 2015.
- ^https://www.rottentomatoes.com/m/blood_and_chocolate/
- ^https://www.nytimes.com/2007/01/27/movies/27bloo.html
- ^'Interview with author Annette Curtis Klause'.
- ^'Blood and Chocolate at director's site (de icon)'.
- ^Klause, Annette Curtis (1997). Blood and chocolate. New York: Delacorte Press. ISBN0385734212.
- ^'Weekend Box Office Results for January 26-28, 2007'. Box Office Mojo. Internet Movie Database. January 29, 2007. Retrieved April 8, 2015.
- ^'Blood & Chocolate'. Rotten Tomatoes. Flixster. Retrieved July 2, 2013.
- ^'Blood and Chocolate'. Metacritic. CBS Interactive. Retrieved April 8, 2015.
- ^Catsoulis, Jeannette. 'Yes, She Has a Sweet Tooth, but She's a Major Carnivore'. The New York Times. The New York Times. Retrieved June 13, 2018.
External links[edit]
- Blood & Chocolate on IMDb
- Blood & Chocolate at Box Office Mojo
- Blood & Chocolate at Rotten Tomatoes
- Blood & Chocolate at Metacritic
| Blood & Chocolate | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 15 September 1986 | |||
| Recorded | March–May 1986 | |||
| Genre | Alternative rock, hard rock, new wave | |||
| Length | 47:48 | |||
| Label | Demon(UK) Columbia(US) Rykodisc(5 September 1995 reissue) Rhino(19 February 2002 reissue) Hip-O(1 May 2007 reissue) | |||
| Producer | Nick Lowe and Colin Fairleylink | |||
| Elvis Costello and the Attractions chronology | ||||
| ||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic | [1] |
| Blender | [2] |
| Chicago Tribune | [3] |
| Entertainment Weekly | A−[4] |
| Mojo | [5] |
| Q | [6] |
| The Rolling Stone Album Guide | [7] |
| Uncut | [8] |
| The Village Voice | A−[9] |
Blood & Chocolate is the eleventh studio album by the British rock singer and songwriter Elvis Costello, released in the United Kingdom as Demon Records XFIEND 80, and in the United States as Columbia 40518. After his previous album King of America with producer T-Bone Burnett and different musicians, this album reunited him with producer Nick Lowe and his usual backing group the Attractions. It peaked at No. 16 on the UK Albums Chart, and No. 84 on the Billboard 200.[10] The album was also included in the book 1001 Albums You Must Hear Before You Die.[11]
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https://powerupxchange279.weebly.com/valid-serial-number-for-adobe-dreamweaver-cs4-key.html. The recording of Blood & Chocolate was troubled, as the relationship between Costello and the Attractions had deteriorated during sessions for King of America. The album was recorded at concert level volume in a way Costello felt suited the material.
Blood And Chocolate Dvd
- 4Track listing
- 5Personnel
Background and recording[edit]
Six months after the Los Angeles sessions for King of America, Costello returned to the studio with the Attractions to work on the songs for this album.[12] Costello reported the band's relationship as having 'soured', and after the album's completion and one more tour, Costello would not work again with the Attractions for another eight years until Brutal Youth.[13] Costello explained, 'It was recorded just over six months after the Hollywood sessions for King of America. The Attractions sole contribution to that album, 'Suit of Lights,' had been made during our least successful and most bad-tempered days in the studio. The air of suspicion and resentment still lingered as King of America was released and we entered Olympic Studios, London, to make what proved to be our last record together for eight years'.[14]
Recording at Olympic Studios in London, several songs were re-workings from those earlier L.A. sessions, including 'Blue Chair', 'I Hope You're Happy Now', and 'American Without Tears No. 2'. An outtake from these sessions, a cover of the 1959 hit by Little Willie John 'Leave My Kitten Alone', had also been an outtake for the Beatles during the sessions for Beatles for Sale.
Blood & Chocolate was recorded in a single large room at high volume, with the band listening to each other on monitor speakers and playing at stage volume, an unusual practice in the studio for its time.[15] As Costello recalled, 'Nick Lowe was producing us for the first time in five years and together with engineer Colin Fairley, agreed to an approach that would get the music recorded before the band and I fell out completely. Olympic's control room still contained some of the Bakelite switches and other arcane features left over from the days when it had hosted sessions by Jimi Hendrix and The Rolling Stones. The live room was big enough for a full orchestra, so we filled it with our live monitor system and played at something approaching stage volume. Although it commonly thought that high volume in the studio creates an uncontrollable sonic picture, this approach seemed to suit the material entirely'.[14]
Packaging[edit]
As on his previous album, Costello uses three different names to credit himself: his given name of Declan MacManus; his stage name of Elvis Costello; and the nickname Napoleon Dynamite, his alter ego as master of ceremonies for the Attractions' spinning songbook tour.[16] The name 'Napoleon Dynamite' would later be used for a 2004 cult film by Jared Hess, who denies that the title was inspired by Blood & Chocolate.
The album uses Esperanto to list musician credits and LP sides. Reimage license key keygen generator for medal of honor frontline. The line in Tokyo Storm Warning 'Japanese God-Jesus robots telling teenage fortunes' refers to a real toy made by Bandai.[17] Elvis Costello created the cover of the album himself.
Release[edit]
The album was released initially on vinyl, CD and cassette in 1986, with a reissue, courtesy of Rykodisc Records in the U.S. and Demon Records in the U.K., arriving nine years later with six bonus tracks, including the 1987 single version of 'Blue Chair' recorded during the King of America sessions. A 10,000 copy limited edition version of this release came with a bonus disc entitled An Overview Disc, consisting of a 78-minute interview with Peter Doggett, conducted on 21 July 1995, in which Costello and Doggett discuss his career and releases up to 1986. Five of the six Rykodisc bonus tracks, minus 'A Town Called Nothing', along with ten others appeared as the second disc to the double-disc Rhino Records reissue in 2002. These reissues are out of print, the album was reissued again by Universal Music Group after its acquisition of Costello's complete catalogue in 2006.
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The tracks 'Tokyo Storm Warning', 'I Want You', and 'Blue Chair' were all released as singles. The 'Blue Chair' single was not the recording from the album, but an earlier one made with T-Bone Burnett during the King of America sessions with the Confederates band. 'Tokyo Storm Warning' peaked at No. 73 on the UK Singles Chart but missed the Billboard Hot 100. The other two singles did not chart in either nation. Except for a compilation released in the UK, Out of Our Idiot, this album would be the final release on his Demon/Columbia contract, Costello signing with Warner Brothers for his next LP, Spike.
Track listing[edit]
All tracks written by Declan MacManus (Elvis Costello) except as noted; track timings taken from Rhino 2002 reissue.
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Side one[edit]
- 'Uncomplicated' – 3:28
- 'I Hope You're Happy Now' – 3:07
- 'Tokyo Storm Warning' (MacManus, Cait O'Riordan) – 6:25
- 'Home Is Anywhere You Hang Your Head' – 5:07
- 'I Want You' – 6:45
Side two[edit]
- 'Honey, Are You Straight or Are You Blind?' – 2:09
- 'Blue Chair' – 3:42
- 'Battered Old Bird' – 5:51
- 'Crimes of Paris' – 4:20
- 'Poor Napoleon' – 3:23
- 'Next Time Round' – 3:28
Blood And Chocolate Rating
1995 bonus tracks[edit]
- 'Seven Day Weekend' (with Jimmy Cliff) (Costello, Cliff) – 2:39 released on the soundtrack to Club Paradise
- 'Forgive Her Anything' – 3:51 session outtake
- 'Blue Chair' – 3:41 single version
- 'Baby's Got a Brand New Hairdo' – 3:26 b-side to the 'Don't Let Me Be Misunderstood' single
- 'American Without Tears No. 2' – 3:35 twilight version released as b-side to the 'Blue Chair' single
- 'A Town Called Big Nothing (Really Big Nothing)' – 5:44 session outtake
- 'Return to Big Nothing' – 2:54 unlisted track
2002 bonus disc[edit]
Tracks 1–6 are session outtakes; tracks 11–15 are solo demo recordings.
- 'Leave My Kitten Alone' (Little Willie John, James McDougal, Titus Turner) – 3:24
- 'New Rhythm Method' – 2:30
- 'Forgive Her Anything' – 3:51 different take to the 1995 reissue version
- 'Crimes of Paris' – 4:38
- 'Uncomplicated' – 3:06
- 'Battered Old Bird' – 4:24
- 'Seven Day Weekend' (with Jimmy Cliff) (Costello, Cliff) – 2:39 released on the soundtrack to Club Paradise
- 'Blue Chair' – 3:41 single version
- 'Baby's Got a Brand New Hairdo' – 3:26 b-side to the 'Don't Let Me Be Misunderstood' single
- 'American Without Tears No. 2' – 3:35 twilight version released as b-side to the 'Blue Chair' single
- 'All These Things' (Allen Toussaint) – 3:04
- 'Pouring Water on a Drowning Man' (Drew Baker, Dani McCormick) – 2:35
- 'Running Out of Fools' (Richard Ahlert, Kay Rogers) – 2:35
- 'Tell Me Right Now' (Joe Tex) – 3:06
- 'Lonely Blue Boy' (Ben Weisman, Fred Wise) – 2:04
Personnel[edit]
- Elvis Costello – electric guitar, acoustic guitar, vocals, harmonium, tambourine, bellows, canes, knives, bass, Vox Continental electric organ
- Steve Nieve – piano, organ, harmonium
- Bruce Thomas – bass, electric guitar, saxophone
- Pete Thomas – drums, alto saxophone
Additional personnel[edit]
- Nick Lowe – acoustic guitar
- Cait O'Riordan – vocals on 'Crimes of Paris' and 'Poor Napoleon'
- Jimmy Cliff – vocals on 'Seven Day Weekend'
- Mitchell Froom – organ on 'Blue Chair' single version
- Tom 'T-Bone' Wolk – electric guitar, bass on 'Blue Chair' single version
- Mickey Curry – drums on 'Blue Chair' single version
Cover versions[edit]
Los Lobos covered 'Uncomplicated' on their 2004 EP Ride This.
The Art of Time Ensemble featuring (former Barenaked Ladies singer) Steven Page covered 'I Want You' on their 2010 album A Singer Must Die.
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Notes and references[edit]
- ^Erlewine, Stephen Thomas. 'Blood & Chocolate – Elvis Costello & the Attractions / Elvis Costello'. AllMusic. Retrieved 16 June 2016.
- ^Wolk, Douglas (March 2005). 'Elvis Costello: Blood & Chocolate'. Blender. Archived from the original on 4 February 2005. Retrieved 16 June 2016.
- ^Kot, Greg (2 June 1991). 'The Sounds Of Elvis, From San Francisco And Beyond'. Chicago Tribune. Retrieved 7 December 2015.
- ^White, Armond (10 May 1991). 'Elvis Costello's albums'. Entertainment Weekly. Retrieved 20 September 2015.
- ^Doyle, Tom (November 2018). 'Band Substance'. Mojo (300): 59.
- ^Eccleston, Danny (March 2002). 'Elvis Costello & The Attractions: This Year's Model / Blood & Chocolate / Brutal Youth'. Q (188).
- ^Sheffield, Rob (2004). 'Elvis Costello'. In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). London: Fireside Books. pp. 193–95. ISBN0-7432-0169-8. Retrieved 30 November 2011.
- ^Roberts, Chris (April 2002). 'Sweet Nerd of Youth'. Uncut (59).
- ^Christgau, Robert (31 March 1987). 'Christgau's Consumer Guide'. The Village Voice. Retrieved 16 June 2016.
- ^The Billboard 200 20 December 1986
- ^Robert Dimery; Michael Lydon (7 February 2006). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN0-7893-1371-5.
- ^Costello, Elvis. Blood & Chocolate. Rhino Records R2 78355, 2002, liner notes, p. 5.
- ^Costello, p. 12.
- ^ abMelis, Matt. '10 Times Elvis Costello's Aim Was True'. Consequence of Sound. Consequence Holdings, LLC. Retrieved 13 March 2019.
- ^Costello, p. 6.
- ^Costello, p. 4.
- ^photo of toy on Engrish.com. Accessed on 12/13/10.
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